The VR School Study has featured in an interview published by the Independent Schools Association of NSW (AISNSW). The interview covers areas such as leveraging the learning affordances of VR to develop deeper understanding, problem-solving and creativity with students. You can read the interview here.
Student 360° content creation for learner agency
How do children go about planning the content and experiences of virtual environments that they are creating to demonstrate learning mastery? How do they think about creating virtual environments for their peers to learn in? What are the special learning outcomes related to this? Not much is known about these areas.
The VR School Study is interested in students as virtual environment content creators. As part of the research, we collected data on the approaches students take when creating their own virtual worlds to demonstrate mastery of learning. This blog reports on interesting findings from the Athelstone School Innovative Languages project where primary (elementary) aged children are building their own 360° virtual tours to demonstrate mastery of the Italian language.
The students are using VRTY, a platform that allows them to plan and create their virtual worlds without needed to code. The platform provides easy-to-use tools with built in tutorials and a fun guide so that students can independently learn to use the platform after a couple of formal training sessions. Previous blog posts describe the VRTY platform and how it is leveraged through the teacher’s curriculum design. The first step, after training, is for students to research and plan their virtual tour. The planning involves storyboarding through VRTY. Students need to:
- Locate and choose the 360° photo scenes of Italy that best fit a tour narrative.
- Locate cultural and historical images that could be embedded in each scene.
- Create their own content to embed in the scene such as text and sound file that draw on the vocabulary mandated and reflect their research on cultural and historical information about Italy.
- Design a narrative through storyboarding in VRTY that reflects the story they want to tell and consider whether the tour experience should be linear or non-linear (the image below is of one student’s storyboard).
- Create each 360° scene and embed their content into it in an engaging way and place teleporter hotspots in the scenes so those experiencing the tour can move between scenes.
Fourteen students from a mixed ability class chose to be part of the project with 11 virtual worlds in total created – some students chose to work in pairs. Equal numbers of boys and girls participated. On average student virtual worlds comprised six 360° scenes. Overall, students created 187 pieces of content to embed in scenes in their virtual worlds, including 50 sound files and 137 information markers. The cover image to this blog post is a screen shot from the student tour ‘Journey around Rome’ which shows student created information and sound markers embedded into the scene.
Interestingly, 7 of the 11 worlds were structured according to a non-linear narrative. Non-linear narratives allowed those experiencing the tour to move back and forth between all or most 360° scenes. Students who developed a non-linear narrative storyboard explained that this allowed have the freedom to go back and check out aspects of a scene they might have missed or enjoyed. The image below is of a non-linear narrative storyboard developed in VRTY. The virtual tour was created by a female student who called it ‘Journey around Rome’ and it allowed the traveler to move between a number of historic sites with all sorts of images, text and sound files in English and Italian embedded into them which used the mandated vocabulary and other Italian. Best still the traveler could return to a hotel room and decide which day trip they might take next or they could go back and visit somewhere they had already been.
This sophisticated non-linear narrative approach to constructing a user experience was premised on creating a sense of agency for those experiencing the tour (or other learners). In choosing non-linear narratives some children were tapping into the strength of developing learner agency when designing their virtual worlds. Non-linear narratives were not essential for developing agency but, in many cases, were important to this.
The significance of developing agency in learning cannot be underestimated, as Williams (2017) explains:
“Students with agency develop a self-perception that is based on their abilities as independent thinkers. Our task as educators is not to tell them what to think but to help reveal their thinking by reflecting back to them what we are observing and noticing and naming their acts of problem solving. This feedback builds a metacognitive awareness that reinforces their identities as capable thinkers who are able to construct their own understandings. This mode of learning shifts the locus of power from the teacher to the student, thus setting up students as the experts in their own learning.” (p. 11).
The Athelstone School VR project illustrates how many students themselves understand the significance of agency in creating engaging and efficacious 360° learning environments.
Williams, P. (2017). Student Agency for Powerful Learning. Knowledge Quest, 45(4), 8-15.
Researching VR for education
This post provides a snapshot of some of the ways the VR School Study researches the use of VR in schools, with the framework also applicable to other formal educational contexts. VR School is an ongoing multi-site study that employs a mixed-methodology (qualitative and quantitative) approach to research. The study is premised on a multi-perspectival conceptual of education with and in VR. The diagram below outlines some of the key areas that are explored in the research.
Each of these areas prompts a range of questions about virtual reality for education. The table below highlights some of these questions with associated methods for collecting data that might shed light on them.
|Pedagogy||How can teachers leverage the signature pedagogies of their subject areas/disciplines to ensure deeper learning through VR for their students?|
How can teachers leverage the learning affordances of VR for deeper learning?
What are the pedagogical principles or assumptions the are evident in VR applications?
|Curriculum||How can VR be woven into a unit of work which includes the normal range of conventional learning activities in a curriculum-aligned way?|
Can curriculum objectives be adapted to take advantage of the learning affordances of VR?
Teacher written and verbal reflection
Document (curriculum) analysis
|Assessment||How can VR be used to develop novel, engaging and authentic types of formative and summative assessment?|
How can student peer and self-assessment be built into VR projects?
How can VR be used to develop novel, engaging and authentic types of formative and summative assessment?
What are strengths and limitations of conventional assessment types in understanding learning?
|Teacher and student written and verbal reflection|
Document (curriculum) analysis
Student work sample analysis
|Student learning||How can students use VR to demonstrate content mastery, collaboration and communication skills, new conceptual understandings, problem-solving skills, metacognition and an academic mindset?|
What is the student experience of learning through and in VR?
How can students move beyond the novel effect of new technology to develop deeper learning?
Student work sample analysis
Student and teacher written and verbal reflection
Student talk and behavioural analysis
|Teacher professional learning||What is the teacher experience of learning to use an emerging technology in the classroom?|
What types of formal professional learning, expert and peer support do teachers require?
How do teachers learn from each other and students during VR projects?
|Teacher written and verbal reflection|
|Ethics and safety||What are the ethical, legal, safety and child development issues related to using VR in classrooms?||Document analysis|
Observation and testing
Surveys and experiments (cross-sectional and longitudinal)
|Organisational arrangements and culture||What are the technical, practical and organisational enablers and barriers to embedding VR in classrooms in a curriculum-aligned way?|
What conditions are required for pedagogical risk taking using an emerging technology?
How does the culture of the school support or impede innovation?
|Teacher and student written and verbal reflection|
While these are only some of the questions and approaches to data collection that the VR School study is exploring across primary and secondary schools and in different subject areas, it is worth noting that there is a commitment to participatory research: That is research with teachers and students, not on them. Elevating the knowledges of teachers and students will be key to understanding where VR fits best in education and in scaling up immersive learning in schools.
Cover image from Pexel.
Conceptions of VR + signature pedagogies = learning fit
In my recent book, I provide some explanatory frameworks on the pedagogical uses of VR. While much of the public discourse centres around technical differences between types of VR (i.e. the difference between 3 Degree of Freedom [DOF] vs 6 DOF) or whether 360° technology is ‘real’ VR, as an educator I think it is more important to focus on the pedagogical utility of the technology. One way of making pedagogical sense of VR is to conceptualise its different possibilities for learning with explicit connection to the signature pedagogies of disciplines (or school subjects derived from disciplines).
The diagram below (developed for the book) illustrates some key conceptions of VR for learning. VR applications can reflect one or more of these concepts.
When teachers are considering VR they should explore the learning experiences the application offers and how this might fit with the range of instructional strategies commonly used in specific subjects. For example, if you were teaching history you might ask if the software offers a means for transporting students to another place or time because this would fit well with the instructional repertoire usually deployed in the subject area. A core instructional strategy used in a subject is called a ‘signature pedagogy’ (Shulman, 2005). Signature pedagogies are important because they:
implicitly define what counts as knowledge in a field and how things become known…. They define the functions of expertise in a field. (Shulman, 2005, p. 56)
In the case of sparking the imagination through a historical re-creation experience (re-creation being a signature pedagogy of the discipline of history), a time-travel experience would traditionally be facilitated through the instructional use of text, maps, or video. Choosing a time-travel VR experience for history makes good pedagogical sense because it leverages or extends on the signature pedagogy of that particular discipline. Relatedly, this is why VR resonates with the types of place-based pedagogy used in subjects such as geography or in professional training simulations. The technology can be used to take the learner elsewhere and its spatial affordances (properties) fit with the signature pedagogy of geography which is the field trip or professions where situated learning in workplaces (placements) are key (such as clinical health or teacher education).
Let’s look at another example using the diagram. In order to teach science, an educator might want to provide students with the opportunity to conduct experiments that are too complex or dangerous for a school laboratory – experimentation in labs being a signature pedagogy of the discipline of science. The teacher would therefore investigate if there was a total learning environment in the form of a virtual laboratory available so that experiments could be safely simulated.
A performing arts teacher might find that a virtual studio would be a great addition to the actual studio of the drama classroom because it offered a range of tools for her student to design sets and costumes. VR design studios allow for ease of prototyping (click of the controller for creating, erasing and changing elements) at actual scale and let students easily share design ideas for rapid feedback from the teacher and peers (the book has a case study on how a real teacher did this in a rural school). In this case, the virtual environment offers tools to support the signature pedagogy of drama teaching which involve facilitating the creative processes through improvisation and iteration.
Finally, some VR applications enable student content creation – this might be through coding (using game engines such as Unreal and Unity for example) or with more accessible ‘no code create’ drag-and-drop software. In this pedagogical conception of VR, students use the technology as a form of immersive media that can tell a learning story. Students create their own worlds and tell their own stories to demonstrate mastery of learning outcomes and to communicate with, and teach, others.
This pedagogical conception of VR as media informs our latest research on using 360° content creation for second language learning at Athelstone primary school. The 360° platform, VRTY, offers ‘no code create’ opportunities for primary school students to create their own ‘surround’ worlds that acts as a foundation to embed other media into (other media includes gaze-activated pop-up text, sound files, photos, videos, gifs and animations). Students are required to demonstrate that they meet learning outcomes, such as oral or written mastery of Italian vocabulary, by creating a 360°world that is enriched with other digital content they have created. Students can link 360° environments together through gaze-activated portals. The many layers of media content creation entail students planning, experimenting, designing, and evaluating the story they want to tell in their virtual worlds. They then share their creations with peers and the teacher for authentic feedback. They are making media-rich narratives to educate others about the Italian language and culture while demonstrating content mastery.
One our key research questions involves understanding how language teachers can leverage their signature pedagogies to take advantage of the learning affordances of 360° media creation in ways that enhance student engagement and learning. Concentrating on the instructional utility of VR in direct relation to the distinctive pedagogies of the subject being taught – its signature pedagogies – will yield theoretically rich and salient insights for teaching and curriculum design. You are invited to follow our adventure. Stay tuned.
Bought to you by A/Prof Erica Southgate on behalf of the Athelstone School VR School Team
Shulman, L. S. (2005). Signature pedagogies in the professions. Daedalus, 134(3), 52-59.
Southgate, E. (2020). Virtual reality in curriculum and pedagogy: Evidence from secondary classrooms. Routledge.
An update from the VR School Study
As we move into Phase 2 of the VR School Study, the team thought that we would give you a quick video update on what we have learnt so far and what we hope to achieve over the next few months. Here is Associate Professor Erica Southgate with the low down!
And how cool is the featured picture (top). It is a student work sample from Phase 1 of the study. On the left is a bluebell that the student created in Minecraft VR and on the right is how he labelled the cross-section of the flower by drawing on his research on the different parts and functions of a plant. He took Erica on an amazing guided tour of his creation where they both flew around the flower (like bees) while he explained the meaning of the labelled cross-section to her. It was a thoroughly researched scientific experience and great fun to boot!
A new research article from the VR School Study
This is the second article we have published from phase 1 of the VR School Study. This article reviews the literature on immersive virtual reality and children, and examines ethics and safety, technical issues, and the role of play when learning in highly immersive virtual reality. It is co-authored with teachers from Callaghan College, Newcastle, Australia.
To cite this article in APA:
Southgate, E., Buchanan, R., Cividino, C., Saxby, S., Eather, G., Smith, S.P., Bergin, C., Kilham., Summerville, D. & Scevak, J. (2018). What teachers should know about highly immersive virtual reality: Insights from the VR School Study. Scan, 37(4). Retrieved https://education.nsw.gov.au/teaching-and-learning/professional-learning/scan/past-issues/vol-37/research-highly-immersive-virtual-reality
Students speak out about using immersive VR for learning
What do high school students say about using immersive virtual reality (VR) for learning? Student reflections from the VR School Project provide unique insights into the educational potential and problems of using immersive VR in real classrooms.
‘VR is really cool because different types of learners are able to effectively absorb the information they need to be taught. It’s also fun, and has a reputation for being fun.’
Fifty four students aged 13-15 years participated in phase 1 of the research. As the quote above indicates, the majority students were excited to be given the opportunity to use Minecraft with the Oculus Rift to do their science or ICT lessons. Some talked about the experience as being ‘FUN, FUN, FUN’, saying they ‘would recommend it to anyone.’
Other students thought that immersive VR had the potential to transform learning in the classroom:
‘I personally think learning with Virtual Reality will change students perspective of learning in a majorly good way as it gives the student a whole new way to learn and interact with the stuff they are learning.’
Some were more equivocal, observing that ‘Although it (VR) removes distractions, it also adds them’ and it ‘was easier to get distracted by VR (version of Minecraft) than computer (version)’. The distraction factor may be a result of the novelty of the experience, however it is worth investigating further how the intensity of the experience — the sense of presence and freedom of agency (autonomy of navigation, manipulation and creativity) which Minecraft VR allows — may interfere with on-task behaviour.
A few students also mentioned cybersickness as a ‘negative’:
‘Our virtual reality tasks are entertaining and more engaging than any other normal science class, although while engaging in this task I have motion sickness which causes me to finish earlier than I normally would. There aren’t really any downsides apart from motion sickness.’
The student perspective from Phase 1 of the VR School project has yielded several ‘leads’ to be explored during phase 2 of the study which will be conducted in the first half of 2018. Harnessing student enthusiasm for immersive VR for increased on-task learning is vital if the technology is to enhance education.
Furthermore, as part of the project we screened for potential susceptibility to cybersickness and educated students about the condition, actively checking on their well-being while they were in VR. Students themselves exhibited good awareness of cybersickness and appeared to monitor how they were feeling during the VR experience, with most opting to get out at the first signs of discomfort. While there were a very few cases of cybersickness witnessed by the team, we will more closely examine the phenomenon from the student perspective during phase 2 of the project.
Associate Professor Erica Southgate on behalf of the awesomeness which is VR School team.
Photo: m.i.m.i ‘Shout!’ https://flic.kr/p/aCcip5
The spiders are coming! VR guardian systems are not always enough
Fully immersive VR is a truly embodied experience. You move and interact with virtual objects and characters and, if the virtual environment is networked, with other players. It’s not like watching a movie, it’s like being in it and you can make things happen. This feeling of ‘being there’ in the virtual world is called presence or, when you are with others, social presence.
Immersive VR systems (Oculus Rift or HTC Vive) are designed so that the user is ‘protected’ or ‘contained’ by a virtual Guardian or Chaperone system. These systems consist of a 3D grid cage which pops up when the user strays beyond the safe, object free area that they have set up when configuring the equipment (see the screenshot below for Oculus Rift). Guardian systems temporarily break the sense of immersive presence by providing a visual cue that the user needs to move back into the safe zone.
During phase 1 of the VR School Project, we observed that students moved in very different ways especially in Minecraft VR where there is a great deal of autonomy in the open world game.
Some students moved very little, favoring small hand gestures and head movements and minor body rotations. Others rotated a lot but within a fairly restricted footprint but moved their heads, hands and arms more freely. There were also students who were very kinetic; they danced, boxed, galloped on the spot on virtual horses, waved their arms around, crouched down, kicked and repeatedly rotated, often getting the tether (which attaches the headset to the laptop) wrapped around their bodies.
All students in VR needed supervision, even the less active movers. In the VR School project, either the researcher or another students acted as a ‘spotter’. The spotter’s role was to make sure that the students in VR did not collide with objects or student spectators. This role was necessary because the engineered solution to safety, in this case the Guardian system, was sometimes ‘ignored’ by students. I have put the word ‘ignored’ in quote marks because it did not appear that students consciously put themselves at risk of bumping into objects. Rather, some students appeared to be so immersed that they automatically continued their actions outside of the safe area and seemed surprised when the spotter told them they were too close to objects and needed reorientation.
Furthermore, it appeared that the intensity of immersive VR could occasionally trigger a flight or fright response. For example, on one occasion when using the survival mode of Minecraft VR, a student was violently startled when spiders began to approach her. She began to crab-walk sideways at speed and the researcher had to speak loudly to her and place a hand on her shoulder to stop her running off.
There is certainly much more research that needs to be done on the adequacy of Guardian systems in breaking intense feelings of presence in VR, especially for those who are new to the experience but also in relation to startle responses. Some research suggests that young people can become so immersed in virtual and augmented reality environments that they enact unsafe behaviour due to a lack of awareness.
In most cases the Guardian system combined with the physical sensation of being tethered broke the feeling of presence enough so that student regulated their own safety in VR. The current version of the Oculus Rift is tethered, however the new Oculus Go is not. There are certainly safety issue to be explored with untethered design and practical and duty of care issues regarding the need for constant supervision of students who are in immersive VR. Much more public discussion regarding these issues is required.
Associate Professor Erica Southgate
Metacognition and/in virtual reality: Some observations
Educators have become increasingly interested in the idea of metacognition. Metacognition is often simply defined as ‘thinking about thinking’ but to understand its implications for learning we need to look closely at a specific set of thinking processes and behaviours.
These include: how a learner plans how they will go about a task and the goals they set in relation to it; how they assess their understanding of what they’ve learnt; and how they go about evaluating their performance for future improvement.
Metacognitive processes are part of self-regulated learning. This is where learner takes control of their own learning. Self-regulated learners have a deeper understanding of content knowledge, the ability to transfer knowledge and skills, and more powerful higher order thinking strategies for problem solving, logical thought and critical thinking.
In research, there are a number of methods used to identify metacognition in learners including questionnaires, interviews and ‘think-aloud’ protocols. Observational methods can also be used and this is a key component of the VR School Project.
In our project we are collecting information through audio and video recordings of student learning in the VR room at the high schools and by using screen capture to record what is happening in the virtual environment. We then triangulate this (or look at each source of information systematically in relation to the other) and code it for metacognitive and self-regulated behaviours, and pedagogical and collaborative interaction. This is supplemented by post VR experience interviews with students and teachers. One benefit of systematic observation is that it pays attention to both verbal and non-verbal action and this is ideal for exploring metacognition and self regulation in the natural setting of the school.
Observations from the VR School Project indicate the social nature of learning in the virtual environment and the VR room. We have observed five way conversations/interactions across these two realities. These are:
- Self-talk as students verbalise their experience in real time.
- Talking to the game’s non-player character (robot, horse).
- Dialogue with student teammates who are in the same virtual environment and working cooperatively on the learning task.
- Conversations between students in VR and classmates who are watching on about the VR experience and the learning task.
- Dialogue between the student in VR with the teacher or researcher about the experience and seeking feedback on learning task.
The permeable, social nature of cognition and learning in VR illuminates three types of metacognitive regulation: (1) Self-regulation where students regulate their own behaviours through self-talk and talk to non-player characters; (2) Other-regulation where students working together in VR steer each other back (through talk or action) to aspects of the learning task or to features of the game; and, (3) Shared-regulation where students in VR have conversations with others, both in the virtual environment and outside of it, to process the VR experience, learn new skills and to progress the task through co-operative learning.
Understanding how virtual reality might be used to develop and enhance metacognitive skills and self-regulation is important if we are to advance beyond a ‘digital toys for classroom’ approach when introducing new technologies into schools.
This post bought to you by Associate Professor Erica Southgate and Dr Jill Scevak – We love learning!
DATA – A safe and respectful approach for assisting students in VR
Child protection is a serious issue in today’s society. There are laws, policies and procedures to ensure the welfare of children and young people. Schools are required to provide a protective and caring environment where student safety and well-being are paramount. In Australia, working with children checks are required by law before people can work or volunteer in settings with children and young people. School education systems have clear guidelines for teachers on what constitutes acceptable practice and respectful behaviour towards students.
When you first use VR headsets and hand controllers they can be awkward to put on, take off and adjust. Students often ask teachers, researchers or other students to help them with this. Even with a virtual guardian or chaperone system which indicates safe boundaries, people can move around in VR and come too close to objects putting them at potential risk. It is sometimes necessarily to help students to re-orientate back to a safe space in the real world so that they can avoid hitting objects (as part of the VR School project we always have a ‘spotter’ who looks out for the safety of students). When using a headset a person is either in darkness while they are waiting for an application to load or in the virtual world; basically, they cannot see what is going on outside or who is near them. It can be a bit of a shock to be in a virtual world and have someone in the real world start talking to you or putting a hand on your shoulder! Importantly, we need to be particularly mindful of students who have special needs, life circumstances or cultural norms which have made them touch-adverse.
So how can teachers, researchers and student-helpers interact with a person in VR in a safe and respectful way?
As part of the VR School project we have developed the DATA protocol. This involves involves 3 actions outlined in this poster:
Training teachers, researchers and student-helpers in the DATA method of interaction will go a long way in ensuring VR experiences are safe and respectful for all involved